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Jonathan Best singer/songwriter/keyboardist/percussionist/loopist
Jonathan Best has been playing music around the world for over
20 years. He was taught the finer points of gospel music early
in his career as he toured the Pentecostal churches of New York
City and the south with The Elect Lady Evangelist Shirley Davis.
His blues and R&B leanings also landed him gigs
with bands such as The Drifters, South African singer Cosbie Mbele, the B-52s and Defunct.
His odd sense of humor brought him together with the notorious Peter Stampfel
(Holy Modal Rounders) for a number of albums and tours, culminating in the
thankless job of producing and recording Stampfel’s last album
with the Bottlecaps "The Jig is Up". Thoroughly ensconced in the
Downtown experimental music scene he also performed and recorded with various
Latin bands, a synthesis which brought him together with David
Byrne (Talking
Heads) for a seven month world tour and a feature film.
Jonathan has also done a lot of composing and arranging for albums
and movies in his own recording studio. He composed, arranged and co-wrote
the lyrics for Clarence Carter’s ‘I Got A Thing For You’ included on
Carter’s "Between a Rock and a Hard Place" album and his "Greatest
Hits" album, both of which remained on the Billboard R&B charts for
several weeks.
Jonathan is currently performing solo in an act where he brings all of his
various musical talents to the stage and does not just perform, but creates
music with the audience. With the aid of a looper, he records and layers, live
on stage, rhythmic sounds made with such instruments as bicycle forks, a transistor
radio, tooth brushes, hedge clippers and his cheeks. He then brings the audience
and even the hall itself into the mix, adding seven part contrapuntal vocal
harmonies and his inimitable piano playing, covering every style from barrelhouse
blues to salsa, all this done by one guy and an audience.
What the press has to say about Mr.Best :
"Imagine the intensity of Jerry Lee Lewis's piano playing with the deliberate onstage deliberations of Badly Drawn Boy and the avant-garde experiments of (insert favorite found-sound avant-garde artist here, I can't think of someone appropriate) and you've got an idea just how quirky and fascinating his performances are." -Tony Fletcher, iJamming
Also from Tony: JONATHAN BEST – INSIDE THE M.A.D. LINGUIST (Bubble)
"...I'm glad to see he's staying busy. The M.A.D. Linguist refers not to Best himself (though it could), but to a venue in his new home of Flagstaff, Arizona, where he recorded this album live. That format perfectly showcases his impressive ability to overlap instantly created loops above, beneath and around his jazzy piano playing and seemingly ad-libbed lyrics. A cover of 'Like A Rolling Stone' even manages to breathe new life (and lyrics) into the otherwise tired classic."
"Any attempt to describe the music of Jonathan Best is bound to fall short. Equal parts Gospel tenor, boogie-woogie piano, and avant-garde sound collage, his music spans cultures and idioms with ease. It also makes startling use of sampled "loop" technology – and it’s this element, perhaps more than any other, that has helped to establish Best as a local musician with a "must-see" live show." -Susan DeFreitas, Zene Magazine Jonathan Best's music defies genres but is something like "avant-garde boogie-woogie," both self-revealing and socially conscious, equally silly and serious, and unlike anything else one is likely to see around these parts. His emphasis on sampling, found items, audience involvement, and intimate settings creates a quasi-mystical experience, while his sheer honesty and genuine humility generate a sense of recognition and kinship. In short, Jonathan Best is a musical innovator who deploys his talents in a spirit of community and celebration, not for fame and commercialism as is often the case these days. -Randall Amster, producer of the TV series 'The Artist Mind'
"A psychedelic Funk Freak" -Michael Herndon, Village Voice
"Had a crowd of 100 mesmerized" -Bob Weinstein, New York Newsday
"Piu un tastierista bravissimo" -di Giacomo Pellicciotti, la Repubblica, Milano, Italy "Takes some getting used to" -Eric Shepard, Rockland Journal News
"Beats the sounds of Mozart" -F. Stoneback, EAR New Music Magazine
"He was jammin' & body slammin'" -Patterson College Beacon
"Effective and highly engaging" -Robert Carlberg, Electronic Musician
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